Linoprint!

July 4, 2017

It hasn’t always been easy for me to work with linoprint. But yesterday at a Tusen Serier workshop I discovered the softcut lino plate, which allowed me to work faster and more intuitively. So suddenly I felt more at home with the material.

These are not the best quality prints I made, but I like it when things aren’t perfect.

Coming soon in a collective zine from Amanda Casanellas and Tusen Serier

Below the surface we are all dead. You just have to admit it, accept it and embrace it.

Everything isn’t black or white, they said. But that was a lie, of course, just like everything else.

 

This one is the one I’m most happy with. It’s not a print but the paper I had to protect the table from when I was rolling the lino:

To me, a big part of my aesthetics in art is about embracing accidents.